-Lace.14-18 () |
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Lace ensemble
Place of origin:England (made)
Devon (probably, made)
Date:ca. 1635 (made)
Place of origin: : Vienna (made) ()
Date: : 1879 (designed) 1879 ( )
Place of origin: : Belgium (made) ()
Date: : 1630s (made) 1630- ()
mid 17th century (made) 17-
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Detail from a painting of The Marquise d'Aigurandes by F. Drouais, 1759
Sophie Philippine Elisabeth Justine de France, dite Madame Sophie (1734-1782)
Year 1748(1748)
Technique Oil on canvas
Mus?e national du Ch?teau et des Trianons
Russian Grand princess Catharina Aleksejevna 16 years old (future Catherine II of Russia, called the Great)
german painter Georg Christoph Grooth
State Hermitage Museum, St-Peterburg, Russia
Date 1745(1745)
Jean-Marc Nattier (1685(1685)–1766(1766))
Victoire Louise Marie Th?r?se de France, dite Madame Victoire (1733-1799)
Year 1748(1748) Mus?e national du Ch?teau et des Trianons
Jean-Marc Nattier (1685(1685)–1766(1766))
Louise-Marie de France, dite Madame Louise (1737-1787)
Year 1748
DROUAIS, Fran?ois-Hubert
Madame de Pompadour
1763-64
Oil on canvas, 217 x 157 cm
National Gallery, London
Alexander Roslin (1718(1718)–1793(1793))
John Jennings Esq., his Brother and Sister-in-Law
Year 1769
Half length portrait of a lady.
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, 1630c,
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Portrait of Louis XIV
Date 1661(1661)
Author Charles Le Brun
After David Paton
Date
1698 (c.)
Robert Earle of Roxburgh
Brussels bobbin lace cravat possibly made for Louis XIV
lace, 1660s, Italian; Raised needle Venetian
Cravat. . 1720s
, , 1660-1680, ,
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Gustavus III of Sweden
Date 1777(1777)
Alexander Roslin (1718(1718)–1793(1793))
The Emperor Francis?,the Empress Maria Theresa and their children in 1756 (detail)
Date 1756(1756)
Source The original is located at Mus?es Trianon
Author Martin Van Mytens
William Gore. Miniatures.
Date circa 1752
Author Christian Friedrich Zincke
BELLE, Alexis-Simon
Portrait of Louis XV
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Oil on canvas, 116 x
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, , , .
England (made) ()
Date: : 1640-1670 (made) 1640-1670
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, 1620-1640,
, 1620-1640,
, , , 1685-1700, ,
, 1690-1680- ,
, 1690-1680- ,
early 17th century (made) 17 ()
Cutwork and needle lace Cutwork
early 17th century (made) 17 ()
Cutwork and needle lace Cutwork
()
Date: : 1620-1640
, 1886. Poor Clares,
- .
Biblia
Biblia , , 1886
This is a piece of Irish needle lace. It has a distinctive flat style and an 18th-century pattern, although it actually dates from about 1886.
Border
Unknown
ca. 1886
Set of flounces-
Place of origin:Bayeux (made)
Date:1867 (made)
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England (made)
second half 19th century (made) 19
England (made)
Date: : second half 19th century (made) 19
This set of bed hangings was made for the marriage in 1875 of Queen Natalie, the daughter of a Russian colonel, to Milan IV, King of Serbia.
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XVI .
. ( ). , , . : , , , .
, – . , , , : 10 15 !
,, , , 3-4 . , 10 . .
Burano Lace School
ca. 1880 C.
, 1872. The Venetian lagoon froze and the communities dependent on fishing were badly affected. , . The school revived the skill that had made Venice the major producer of needle lace in the 16th and 17th centuries. , 16- 17- .
Flounce
Place of origin:Burano (made)
Date:1880s (made)
.
The market for all qualities of lace grew in the mid 19th century. 19 . Handmade lace was a status symbol that demonstrated wealth and position. , . In the 1850s and 1860s people began to spend large quantities on luxury lace as they had done in the 18th century. 1850 1860 , 18 . Silk lace and embroidered nets were fashionable in the early years of the 19th century. 19- . Manufacturers made great efforts to improve and expand the industry to meet demand. . By the mid 1840s, Brussels was again the leading centre for fashion lace. 1840- . Handmade net remained fashionable until the 1850s, when this piece was made.
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