For an artist to be considered an "Impressionist" in the purest meaning of the word, he must know how to transfer his personal feelings to the canvas. Through the application of color, this transference is accomplished. In Dyf's paintings there is no touching, no re-working. Instead his brushwork is fluid and "first-time" perfect. One can feel the impact of his colors, i.e. "feel" the wind in his landscapes, "see" the ripples of waves in his waterfronts, and "sense" the various textures of the subjects he paints whether they be trees, human figures, fields of grain or vibrant flower gardens.

His power of suggestion is strong. He painted not only a beautiful scene but also gave insight into himself through his brushwork and use of color. His pleasant looseness with the brush puts the viewer in a relaxed mood, allowing one to take time in fully appreciating each painting. A true Impressionist in every sense of the word, Dyf stands with the masters of his field. He has influenced numerous artists and has set a standard for contemporary Impressionists to achieve. His death in 1985 marked the passing of one of the last true Impressionists of our era.