lomovolga

 

Antonio del Ceraiolo
ACTIVE 1500-1550
THE MADONNA AND CHILD WITH THE INFANT SAINT JOHN THE BAPTIST
oil on pine panel
78.2 x 60.1 cm.; 30 3/4  x 23 5/8  in.

Hans Maler zu Schwaz
ULM CIRCA 1485 - AFTER 1529 SCHWAZ
THE VIRGIN AND CHILD
oil on pinewood panel
41.5 x 33.5 cm.; 16 3/8  x 13 1/4  in.

Giovanni Battista Salvi, called Sassoferrato
SASSOFERRATO 1609 - 1685 ROME
MADONNA AND CHILD, BEFORE A DRAPED CURTAIN, A LANDSCAPE BEYOND
oil on canvas
75.4 x 61.6 cm.; 29 5/8  x 24 1/4  in.

South Netherlandish School, 16th century
THE VIRGIN AND CHILD SEATED IN A ROSE GARDEN
oil on softwood panel
31 x 23.5 cm.; 12 1/4  x 9 1/4  in.

Giovanni Pietro Rizzi Pedrini called Giampetrino
ACTIVE IN MILAN 1510-1540
MADONNA AND CHILD WITH THE INFANT SAINT JOHN THE BAPTIST
oil on pinewood panel, the upper edges made up
78 x 56.9 cm.; 30 5/8  x 22 3/8  in.

Umbrian School, circa 1500
SAINT BARBARA AND SAINT APOLLONIA
Quantity: 2
two panels, both tempera on panel

Adriaen Isenbrant
BRUGES CIRCA 1485 - 1551
THE VIRGIN AND CHILD ENTHRONED WITH ANGELS BEFORE A LANDSCAPE
oil on oak panel, arched top
13.2 x 10 cm.; 5 1/4  x 3 7/8  in.

Circle of Leonardo da Vinci
BUST OF CHRIST
oil on panel
29.3 x 21.8 cm.; 11 1/2  x 8 5/8  in.

Lucas Cranach the Elder
KRONACH 1472 - 1553 WEIMAR
THE MYSTIC MARRIAGE OF SAINT CATHERINE, IN THE COMPANY OF THE SAINTLY VIRGINS: BARBARA, MARGARET AND DOROTHEA
oil on limewood panel
40.7 x 26.5 cm.; 16 x 10 3/8  in.

Master 'Benito'
Active in Palencia, first half of the 16th century
THE VIRGIN AND CHILD
oil on panel
60.5 x 43 cm.; 23 3/4  by 17 in.

Antonio Acisco Palomino de Castro y Velasco
BUJALANCE 1655 – 1726 MADRID
THE IMMACULATE CONCEPTION
oil on canvas, unlined
206 x 146.2 cm.; 81 1/8  x 57 1/2  in.

Marco Palmezzano
FORLÌ CIRCA 1460-1539
CHRIST CARRYING THE CROSS

Attributed to Willem Key
BREDA CIRCA 1515/6 - 1568 ANTWERP
RECTO: THE ADORATION OF THE MAGI VERSO: THE VISITATION
oil on oak panel
116 x 85.8 cm.; 45 5/8  x 33 3/4  in.

Dutch School, early 16th Century
THE TREE OF JESSE
oil on oak panel
47.5 x 39.5 cm.; 18 3/4  x 15 1/2  in.

Jan Thomas
YPRES 1617 - 1673 VIENNA
THE ADORATION OF THE SHEPHERDS
signed lower right: ·I : Thomas: f
oil on canvas
139.8 x 108 cm.; 55 x 42 1/2  in.

Raffaellino del Garbo (Florence ?1466-1524)
The Madonna and Child with the Infant Saint John the Baptist, Saints Jerome and Francis beyond
tempera and gold on panel, tondo
34 3/8 in. (87.3 cm.) diamete

Joseph Werner the Younger
BERN 1637 - 1710
CRUCIFIXION WITH ALLEGORIES OF DEATH, VICE AND FORTITUDE
oil on canvas
61.3 x 44 cm.; 24 1/8  x 17 1/4  in.

Vicent Maçip
VALENCIA CIRCA 1475 - 1550
THE MADONNA AND CHILD WITH SAINTS
oil on panel
75.5 x 65.5 cm.; 29 3/4  x 25 3/4  in.

Mariotto di Nardo
ACTIVE IN FLORENCE 1394 - 1424
CHRIST AND THE VIRGIN IN GLORY WITH SIX SAINTS

Master of the Terni Dormition
ACTIVE SPOLETO C. 1380–1412
SAINT LOUIS OF TOULOUSE

Lombard School, circa 1520
THE HOLY FAMILY
oil on panel
92.2 x 58.2 cm.; 36 1/4  x 22 7/8  in.

North Italian School, 15th Century
THE RISEN CHRIST
tempera on panel,

Master of the Holy Kinship
ACTIVE IN COLOGNE CIRCA 1410 - 1440
CHRIST AS THE MAN OF SORROWS
oil on panel
119.8 x 64 cm.; 47 1/8  x 25 1/4  in.

The Master of Saint Veronica
ACTIVE IN COLOGNE C. 1395–1415
A PORTABLE TRIPTYCH CENTRE PANEL: VIRGIN AND CHILD ENTHRONED BEFORE A GOLDEN MANDORLA, WITH GOD THE FATHER AND ANGELS IN ADORATION ABOVE, SAINTS JOHN THE EVANGELIST, BARBARA, CHRISTINA, CATHERINE, MARY MAGDALEN AND JOHN THE BAPTIST SEATED IN A SEMI-CIRCLE BELOW INNER WINGS: THE CROWNING WITH THORNS, THE CRUCIFIXION, THE RESURRECTION AND THE ASCENSION OUTER WINGS: THE WAY TO CALVARY

Pietro di Cristoforo Vannucci, called Perugino (Città della Pieve 1450-1523 Fontignano)
The Holy Family with the Infant Saint John the Baptist and an angel
oil on panel
34 3/8 x 26 ½ in. (87.4 x 67.3 cm.)

Studio of Juan de Valdés Leal
SEVILLE 1622 - 1690
THE MYSTIC MARRIAGE OF SAINT CATHERINE

Spinello di Luca Spinelli, called Spinello Aretino
AREZZO 1350/52 - 1410
VIRGIN OF THE ANNUNCIATION
tempera on poplar panel, gold ground, with a shaped top and integral frame

Bartolomeo Schedoni
FORMIGINE NEAR MODENA 1578 - 1615 PARMA
THE HOLY FAMILY
oil on panel
27 x 22.5 cm.; 10 5/8  x 8 7/8  in.

Flaminio Torre
BOLOGNA 1620 - 1661 MODENA
THE NATIVITY
oil on canvas, framed as a tondo
113.8 x 113.8 cm.; 44 3/4  x 44 3/4  in.

Follower of Lucas Cranach
A TRIPTYCH:  CENTRAL PANEL: THE ADORATION OF THE SHEPHERDS;

The Master of the Turin Adoration
(active Genoa? 1490 - 1510)
THE EMPEROR HERACLIUS, BEARING THE TRUE CROSS AND ENTERING THE GATES OF JERUSALEM
oil on pinewood panel
108.4 x 91.2 cm.; 42 5/8  x 35 7/8  in.

Benedetto Gennari (Cento 1633-1715 Bologna)
Maddalena penitente
olio su tela
75 x 62 cm.

French School, possibly Amiens, circa 1480
CHRIST IN THE GARDEN OF GETHSEMANE, WITH SIMON PETER CUTTING OFF THE EAR OF MALCHUS BEYOND
oil on oak panel, gold ground
51 x 32.6 cm.; 20 1/8  x 12 7/8  in.

Follower of Raffaello Sanzio, called Raphael
SAINT JOHN THE BAPTIST PREACHING IN A ROCKY LANDSCAPE
oil on poplar panel
179.7 x 147.7 cm.; 70 3/4  x 58 1/8  in.

German School, 17th Century
A PAIR OF PANELS DEPICTING THE ANNUNCIATION, THE NATIVITY, THE ADORATION AND THE CIRCUMCISION OF CHRIST
Quantity: 2
a pair, both oil on panel
each: 193 x 67 cm.; 76 x 26 3/8  in.

Jacopo da Ponte, called il Bassano
Bassano del Grappa c.1510 – 1592
and
Francesco da Ponte, called Francesco Bassano the Younger
Bassano del Grappa 1549 – 1592
THE GATHERING OF MANNA; ABRAHAM AND MELCHIZEDEK
Quantity: 2

Circle of Johann Koerbecke (Münster 1407-1491)
Saint John the Baptist; and Saint John the Evangelist
oil on panel
155.4 x 55.3 cm.
a set of two (2)

Master of the Sebastian Diptych (Upper Rhine, early 16th century)
The wings of a triptych: Saint Ursula; and Saint Acacius
on gold ground panel
34 3/8 x 13 in. (87.5 x 33.2 cm.)

Master of the Sebastian Diptych (Upper Rhine, early 16th century)
The wings of a triptych: Saint Ursula;
on gold ground panel
34 3/8 x 13 in. (87.5 x 33.2 cm.)

Master of the Sebastian Diptych (Upper Rhine, early 16th century)
Saint Acacius
on gold ground panel
34 3/8 x 13 in. (87.5 x 33.2 cm.)

Antwerp,
first quarter 16th century
A POLYCHROME AND GILTWOOD TRIPTYCH CENTRED BY THE ADORATION

Prudencio and Juan de la Puente
Active in Tarazona, Western Aragon, during the first half of the 16th Century
ACTIVE IN TARAZONA, WESTERN ARAGON, DURING THE FIRST HALF OF THE 16TH CENTURY
A RETABLE: CENTRAL PANEL: CHRIST AS REDEEMER LEFT PANEL: ADORATION OF THE SHEPHERDS RIGHT PANEL: ADORATION OF THE MAGI

Antwerp School, first half of the 16th Century
A TRIPTYCH: THE ADORATION OF THE MAGI CENTRAL PANEL: THE VIRGIN AND CHILD WITH CASPAR AND MELCHIOR LEFT WING: SAINT JOSEPH WITH TWO SHEPHERDS RIGHT WING: BALTHASAR WITH OTHER FIGURES BEHIND

 

Lambert Lombard
Liège 1506 - 1566
A TRIPTYCH CENTRAL PANEL: THE ADORATION OF THE MAGI LEFT INNER WING: THE ADORATION OF THE SHEPHERDS RIGHT INNER WING: THE MASSACRE OF THE INNOCENTS OUTER WINGS: THE THEOLOGICAL VIRTUES

Italian School, (18th Century),
Sybil,
oil on canvas, 27x 20, framed 3 x 29

French School, (19th Century)
Madonna,
oil on canvas, 16x12, framed 21x18

 

 

 

 

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