ГОБЕЛЕНЫ ПО ЭСКИЗАМ ФЛАМАНДСКОГО ХУДОЖНИКА БЕРНАРДА ВАН ОРЛЕЯ (BERNARD VAN ORLEY, C.1488-1541, FLANDERS) |
Romulus and Remus,
A narrative classical tapestry, Madrid, woven
by Artesanía Española dated MCMXLI (1941),
copy after a 16th century (1525-1530) Brussels cartoon, from the circle of Bernard van Orley (ca. 1492-1542),
border design after Joss van Liere
Bernard van Orley (circa 1491/1492–1542)
Adoration of the Kings
circa 1530 –35
Metropolitan Museum of Art
Bernard van Orley (circa 1491/1492–1542)
Twelve Ages of Man: The First Three Ages of Man (Birth-18), or Spring
circa 1515
(414 x 721.4 cm)
Metropolitan Museum of Art
Bernard van Orley
The Twelve Ages of Man: The Second Three Ages of Man (18-36), or Summer
circa 1515
(443.2 x 734.1 cm)
Metropolitan Museum of Art
Bernard van Orley
Twelve Ages of Man: The Third Three Ages of Man (36-54), or Autumn
circa 1515
(444.5 x 726.4 cm)
Metropolitan Museum of Art
Bernard van Orley (circa 1491/1492–1542)
The Twelve Ages of Man: The Last Three Ages of Man (54-72), or Winter
circa 1515
Medium Wool, silk (16-20 warps per inch, 6-8 per cm.)
(444.5 x 716.3 cm)
Metropolitan Museum of Art
Arrival of the statue of Notre-Dame to Brussels, from the tenture of Notre-Dame du Sablon
1518, wool and silk
Cinquantenaire Museum - Brussels, Belgium
Arrival of the statue of Notre-Dame to Brussels, from the tenture of Notre-Dame du Sablon (DETAIL)
1518, wool and silk
Cinquantenaire Museum - Brussels, Belgium
Detail uit het laatste wandtapijt van de vierdelige reeks "Onze-Lieve-Vrouw van de Zavel",
toegeschreven aan de jonge Bernard van Orley.
The First Apparition of the Virgin to Beatrice Soetkens, from the tenture of Notre-Dame du Sablon
wool and silk
Cinquantenaire Museum - Brussels, Belgium
After Bernard van Orley (circa 1491/1492–1542)
Workshop of Pieter van Edingen (1450–)
Fortuna
circa 1520
tapestry 496 cm х 860 cm
Patrimonio Nacional, Royal Palace of La Granja de San Ildefonso
design by Bernard van Orley, woven in Brussels
“February” is an allegorical tribute to the hun
March 1531
Tapestry
Louvre Museum
design by Bernard van Orley, woven in Brussels
The Month of June, from The Hunt of Maximilian series
March 1531
Tapestry
Louvre Museum
design by Bernard van Orley, woven in Brussels
The Month of July, from The Hunt of Maximilian series
March 1531
Tapestry
Louvre Museum
design by Bernard van Orley, woven in Brussels
The Month of September, from The Hunt of Maximilian series
March 1531
Tapestry
Louvre Museum
A German hunting tapestry,
copy after 'Les Chasses de Maximilien', representing The Month of September,
after Bernard van Orley, München
circa 1920/30
Аукцион Сотбис
Bernard van Orley (vers 1488-1541)
Bernard van Orley (vers 1488-1541)
Agen (détail)
Tapisserie des Gobelins - "Le Printemps", de la série allégorique dite des "Saisons de Lucas"
Musée de beaux-arts
Bernard van Orley (vers 1488-1541)
Agen (détail)
Tapisserie des Gobelins - "Le Printemps", de la série allégorique dite des "Saisons de Lucas"
Musée de beaux-arts
Серия 12 Месяцев
(Twelve Months)_8_Август (October)
1525-1528_464.8 x 383.5_гобелен
Нью-Йорк, Музей Метрополитен
Серия 12 Месяцев
(Twelve Months)_10_Октябрь (October)
1525-1528_464.8 x 383.5_гобелен
Нью-Йорк, Музей Метрополитен
'April', A Flemish medallion months tapestry, Brussels,
early 16th century,
unidentified designer, from the circle of Bernard van Orley (c. 1488–1541)
circa 1525
'April', A Flemish medallion months tapestry, Brussels,
early 16th century,
unidentified designer, from the circle of Bernard van Orley (c. 1488–1541)
circa 1525
'April', A Flemish medallion months tapestry, Brussels,
early 16th century, (DETAIL)
unidentified designer, from the circle of Bernard van Orley (c. 1488–1541)
circa 1525
Pieter Pannemaker I, раб ок 1517-1535 во Фландри
Моление о чаше
(The Garden of Gethse) (по ван Орлею)
ок.1520_368.3 х 359.4_гобелен
Вашингтон, Национальная галерея
Pieter Pannemaker I, раб ок 1517-1535 во Фландри
Распятие (The Crucifixion) (по ван Орлею)
ок.1520_369.6 х 354.3_гобелен
Вашингтон, Национальная галерея
Bernard van Orley (circa 1491/1492–1542)
The Last Supper
Tapestry; Textiles-Tapestries
circa 1524 –46 (design), ca. 1525–28 (woven)
Wool, silk, silver-gilt thread.(335 x 350 cm)
Metropolitan Museum of Art
Аноним (Anonymous)
Цезарь и Спурина (жрица, предсказательница его смерти)
(Caesar and Spurina) (по ван Орлею)
407 х 415_гобелен
Синтра, Национальный дворец
A Flemish Hunting Tapestry, Brussels,
workshop of Everaert Leyniers
third quarter 17th century
A Flemish Hunting Tapestry, Brussels,
workshop of Everaert Leyniers
third quarter 17th century (DETAIL)
Bernard Van Orley
A PAIR OF FRENCH TAPESTRIES FROM THE SERIE LES CHASSES DE MAXIMILIEN, MANUFACTURE DES GOBELINS, CIRCA 1730,
AFTER BERNARD VAN ORLEY
Bernard van Orley (circa 1491/1492–1542)
Saint Veronica
Flemish, probably Brussels; Tapestry; Textiles-Tapestries
circa 1525
Wool, silk, gilded silver metal-wrapped threads
(172.7 × 129.5 cm)
Metropolitan Museum of Art
Bernard van Orley (circa 1491/1492–1542)
Saint Veronica
Flemish, probably Brussels; Tapestry; Textiles-Tapestries
circa 1525
Wool, silk, gilded silver metal-wrapped threads
(172.7 × 129.5 cm)
Metropolitan Museum of Art
attributed to the young Bernard van Orley.
Detail of the last tapestry of the four-part series "Our Lady of the Zavel",
Francis of Taxis receives the postal charter from the hands of emperor Frederick III.
Bernard van Orley, par Jean de la Croix (Père)
A ROYAL GOBELINS TAPESTRY FROM THE SUITE "LES CHASSES DEMAXIMILIEN", LOUIS XIV,
CIRCA 1704-1706,
FROM A ROYAL COMMISSION OF KING LOUIS XIV
Bernard van Orley, par Jean de la Croix (Père)
A ROYAL GOBELINS TAPESTRY FROM THE SUITE "LES CHASSES DE MAXIMILIEN", LOUIS XIV,
CIRCA 1704-1706,
FROM A ROYAL COMMISSION OF KING LOUIS XIV
Bernard van Orley (circa 1491/1492–1542)
Honor from the series "The Honors"
designed before 1520, woven between 1525 and 1532
(450 × 803 cm
Metropolitan Museum of Art
Bernard van Orley (circa 1491/1492–1542)
Honor from the series "The Honors"
designed before 1520, woven between 1525 and 1532
(450 × 803 cm
Metropolitan Museum of Art
Bernard van Orley (circa 1491/1492–1542)
Honor from the series "The Honors" (DETAIL)
designed before 1520, woven between 1525 and 1532
(450 × 803 cm
Metropolitan Museum of Art
Bernard van Orley (circa 1491/1492–1542)
Honor from the series "The Honors" (DETAIL)
designed before 1520, woven between 1525 and 1532
(450 × 803 cm
Metropolitan Museum of Art
Bernard van Orley (circa 1491/1492–1542)
Honor from the series "The Honors" (DETAIL)
designed before 1520, woven between 1525 and 1532
(450 × 803 cm
Metropolitan Museum of Art
Bernard van Orley (circa 1491/1492–1542)
Honor from the series "The Honors"
designed before 1520, woven between 1525 and 1532
(450 × 803 cm
Metropolitan Museum of Art
Bernard van Orley
Invasione del campo francese e fuga delle dame e dei civili al seguito di Francesco I
Bernard van Orley
Cattura del re di Francia Francesco I
Manifattura fiamminga su dis. di bernard van orley, arazzo con battaglia di pavia e cattura del re di francia
1528-31 (capodimonte)
Manifattura fiamminga su dis. di bernard van orley, arazzo con battaglia di pavia e cattura del re di francia
1528-31 (capodimonte)
Bernard van Orley
Cattura del re di Francia Francesco I
Bernard van Orley
Invasione del campo francese, gli Svizzeri si rifiutano di avanzare nonostante gli interventi dei loro capi
Bernard van Orley (circa 1491/1492–1542)
and
William Dermoyen
The Battle of Pavia. (Битва при Павии)
manufactured in Bruxelles
between 1528 and 1531
tapestry: wool, silk, silver and gold
Museo Nazionale di Capodimonte
Bernard van Orley (circa 1491/1492–1542)
and
William Dermoyen
The Battle of Pavia. (Битва при Павии)
manufactured in Bruxelles
between 1528 and 1531
tapestry: wool, silk, silver and gold
Museo Nazionale di Capodimonte
Bernard van Orley (circa 1491/1492–1542)
and
William Dermoyen
The Battle of Pavia.
manufactured in Bruxelles
between 1528 and 1531
Museo Nazionale di Capodimonte
Bernard van Orley (circa 1491/1492–1542)
and
William Dermoyen
The Battle of Pavia.
between 1528 and 1531
Museo Nazionale di Capodimonte
Bernard van Orley (circa 1491/1492–1542)
and
William Dermoyen
The Battle of Pavia.
manufactured in Bruxelles
between 1528 and 1531
Museo Nazionale di Capodimonte
Bernard van Orley (circa 1491/1492–1542)
and
William Dermoyen
The Battle of Pavia.
manufactured in Bruxelles
between 1528 and 1531
Museo Nazionale di Capodimonte
Bernard van Orley (circa 1491/1492–1542)
and
William Dermoyen
The Battle of Pavia.
manufactured in Bruxelles
between 1528 and 1531
Museo Nazionale di Capodimonte
Bernard van Orley (circa 1491/1492–1542)
and
William Dermoyen
The Battle of Pavia.
manufactured in Bruxelles
between 1528 and 1531
Museo Nazionale di Capodimonte
After Bernard van Orley
Les Chasses de l'Empereur Maximilien : La Curée, Juin (Mois de juin. 2e tenture).
between 1685 and 1687
300 cm х 460 cm
Château de Pau
After Bernard van Orley (circa 1491/1492–1542)
Les Chasses de l'Empereur Maximilien : Le repas de chasse (Mois d'octobre, 7e tenture).
circa 1720
316 cm х 520 cm
Château de Pau
After Bernard van Orley
Les Chasses de l'Empereur Maximilien : La Flambée du sanglier (Mois de janvier. 2e tenture)
between 1685 and 1687
300 cm х 460 cm
Château de Pau
After Bernard van Orley
Les Chasses de l'Empereur Maximilien : La Flambée du sanglier DETAIL
between 1685 and 1687
300 cm х 460 cm
Château de Pau
After Bernard van Orley
Les Chasses de l'Empereur Maximilien : La Curée, Juin DETAIL
between 1685 and 1687
316 × 295 cm
Château de Pau
After Bernard van Orley
Les Chasses de l'Empereur Maximilien : Le cerf au buisson (mois d'août. 7e tenture).
circa 1720
316 × 286 cm
Château de Pau
Decorative textiles; an illustrated book on coverings for furniture
(1918)
Sterling and Francine Clark Art Institute Library
Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers (1918)
After Bernard van Orley
Les Chasses de l'Empereur Maximilien : Le cerf au buisson (mois d'août. 7e tenture) DETAIL
circa 1720 316 × 286 cm
Château de Pau
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